DIRECTOR: Ringan Ledwidge PRODUCTION COMPANY: Rattling Stick ARTIST: Massive Attack feat. Young Fathers TRACK: Voodoo in My Blood MANAGER: Marc Picken (West Management) LABEL: Virgin Records VIDEO COMMISSIONER: James Hackett ACTOR: Rosamund Pike AGENT: Dallas Smith (United Agents) ASSOCIATE AGENT: Sophie Austin ASSISTANT: Sarah Roberts MANAGER: Shelley Browning (Magnolia Entertainment, LA) FULL CREDITS LIGHTING CAMERAMAN: Franz Lustig PRODUCTION DESIGNER: John Beard INITIAL CONCEPT ART (ORB): James Clyne (ILM) CHOREOGRAPHER: Scarlett Mackmin EXECUTIVE PRODUCER: Andy Orrick PRODUCER: Ellie Fry PRODUCTION MANAGER: Tiwirayi Magwenzi PRODUCTION CO-ORDINATOR: Rory Macrae LOCATION MANAGER Tom Petch 1ST ASSISTANT DIRECTOR: Jez Oakley 2nd ASSISTANT DIRECTOR: Henry Forsyth RUNNER: Esrael Alem RUNNER: Alex Von Brockdorff RUNNER: Riccardo D’Amico FOCUS PULLER: Jeff Vine CLAPPER LOADER: Christian Swain GRIP: Llewellyn Harrison DIT: Alix Milan CCTV OPERATOR: Nick Barber SOUND RECORDIST: Howie Nicol PLAYBACK Dave Bagnall GAFFER: Reuben Garrett ELECTRICIAN: Matthew Butler ELECTRICIAN: Adrian Mackay ELECTRICIAN: Anton Stuber ART DEPARTMENT ASSISTANT: Arthur Rambo SFX TECHNICIAN: BOB THORNE AT ANARCHY MODELS SFX TECHNICIAN: James Churches SFX TECHNICIAN: Carrie Drake COSTUME DESIGNER: Natalie Humphries WARDROBE ASSISTANT: Ellen Crawshaw MAKE UP ARTIST: Spob O’Brien MAKE-UP ASSISTANT: Tiffane Williams MANICURIST: Lee Moore WINNEBAGO DRIVER: Paul Bulicz CAMERA CAR DRIVER: Alister Bugge PARAMEDIC: Paddy Nicholas EDITOR: Rich Orrick (Work Post) PRODUCER: Winnie O’Neill INITIAL CONCEPT ART (ORB): James Clyne (ILM) TITLES DESIGN: Hingston Studio POST PRODUCTION: Electric Theatre Collective (ETC) VFX PRODUCER: Libby Behrens CG LEADS: Julien Soulage, Graeme Turnbull CG ARTISTS: Giuseppe Bufalo, Sean Elliott, Oscar Hill, Khayat Rimelle, AndrĂ© Correia, Ilaria Introzzi, Guglielmo Gagliano Candela, Annie Rowland, Luping Shi 2D LEAD: James Belch 2D ARTISTS: Andrew Stewart, Mike Simons, Alex Grey, Rafa Vormittag, Ryan Knowles COLOURIST: Lewis Crossfield SOUND DESIGN: Wave Studios SOUND DESIGNER: Aaron Reynolds
Wednesday, 24 February 2016
Tuesday, 16 February 2016
A damsel in distress gets undressed when a man from the mid west...
A damsel in distress gets undressed when a man from the mid west puts to rest a world that’s obsessed with the priceless, also know as, “The Shiny.” Written & Directed by - Daniel Cloud Campos & Spencer Susser Edited by - Daniel Cloud Campos & Spencer Susser Produced by - Daniel Cloud Campos & Spencer Susser Production Company - Blue Tongue Films Director of Photography - Spencer Susser Lead Animation by - Daniel Cloud Campos Additional Animation by - Spencer Susser Composer - Michael Yezerski Sound Design/Re-recording Mix by - Derek Vanderhorst Sound Effects Editor - Marc Glassman Sound Editor - Jacob Houchen Color by - Trevor Durstchi Original song “It’s So Shiny” Written & Performed by - Paul Musso Visual Effects by - Spencer Susser & Daniel Cloud Campos Voices by - Daniel Cloud Campos, Spencer Susser, Tamara Levinson-Campos & Stormi Henley Special Thanks - Michael Gracey, Gavin Millette, Dineh Mohajer, Liinda Garisto, Aaron Downing
Monday, 8 February 2016
www.kasrafarahani.com Representation: Jason Burns and Peter Dodd...
www.kasrafarahani.com Representation: Jason Burns and Peter Dodd of United Talent Agency || 310.273.6700 Jill McElroy of Management 360 || 310.272.7000 SYNOPSIS: Based on the short story of the same name by Donald Barthelme (originally published in the New Yorker Magazine in 1978), and read by author Salman Rushdie, “Concerning the Bodyguard” is a story about power, conspiracy, and the overthrow of a dictator in an unknown Near Eastern country. With Salman Rushdie’s reading as the only audio in the film, the images bring to life a series questions being posed by an omniscient narrator about the views and loyalties of a bodyguard, among a group of bodyguards entrusted with the protection of an important and dubious leader. The film explores the nuances of this relationship as well as shows what can potentially happen when a bodyguard intentionally or unintentionally relaxes his guard.
Bleacher Report wanted me to help bring to life the story of...
Bleacher Report wanted me to help bring to life the story of Dion Rich, the world’s greatest Super Bowl gate-crasher of all time. His story of the 1978 battle between the Denver Broncos and Dallas Cowboys was particularly memorable to him and is the main focus of the video. Original article - The Guy Who Makes Breaking into The Super Bowl Look Easy http://bleacherreport.com/articles/2613848-the-guy-who-makes-breaking-into-the-super-bowl-look-easy Client - Bleacher Report Producer - Will Leivenberg / Ryan Smith Direction, Illustration & Animation - Oliver Sin Sound Design - Bleacher Report Media Lab Website: www.oliversin.com Twitter: www.twitter.com/oliversin